Image: Lorenz Helmschmid (German, first recorded 1467, died 1516). Field Armor of Maximilian I (detail), 1480. Steel, copper alloy, and leather. Sallet: private collection, New York; all other armor elements: Kunsthistorisches Museum, Vienna, Imperial Armoury (A 60)
I felt the need to alert you of some very wonderful exhibits coming up at the Met Museum. They offer a little bit of everything, which the Met always does very well, and I am hoping to attend all of them. I will be showing exclusive features for each, for those who cannot make the exhibits in person. If you are able to view any of these, I think you will be greatly impressed. The first one opens tomorrow and should be a real WOW factor. I recently watched a documentary about how they made Armor from NOVA: Secrets of the Shining Knight on Netflix and it was so very interesting.
The Last Knight: The Art, Armor, & Ambition of Maximilian I October 7 to January 5, 2020
The Last Knight: The Art, Armor, and Ambition of Maximilian I will examine the profound significance of European armor at the dawn of the Renaissance, through the lens of Emperor Maximilian I's (1459–1519) remarkable life. On view only at The Met, The Last Knight will coincide with the five hundredth anniversary of Maximilian's death, and is the most ambitious North American loan exhibition of European arms and armor in decades. Including 180 objects selected from some thirty public and private collections in Europe, the Middle East, and the United States, The Last Knight will explore how Maximilian's unparalleled passion for the trappings and ideals of knighthood served his boundless worldly ambitions, imaginative stratagems, and resolute efforts to forge a lasting personal and family legacy.
This exhibition will feature many works of art on view outside Europe for the first time, including Maximilian's own sumptuous armors that highlight his patronage of the greatest European armorers of his age, as well as related manuscripts, paintings, sculpture, glass, tapestry, and toys, all of which emphasize the emperor's dynastic ambitions and the centrality of chivalry at the imperial court and beyond.
On view at The Met Fifth Avenue in Gallery 899
Gerhard Emmoser (German, active 1556–84). Celestial globe with clockwork, 1579. Austrian, Vienna. Partially gilded silver, gilded brass (case); brass, steel (movement); 10 3/4 x 8 x 7 1/2 in. (27.3 x 20.3 x 19.1 cm); diameter of globe: 5 1/2 in. (14 cm). The Metropolitan Museum of Art, New York, Gift of J. Pierpont Morgan, 1917 (17.190.636)
Making Marvels: Science & Splendor at the Courts of Europe
November 25 to March 1, 2020
Between 1550 and 1750, nearly every royal family in Europe assembled vast collections of valuable and entertaining objects. Such lavish public spending and display of precious metals was considered an expression of power. Many princes also believed that the possession of artistic and technological innovations conveyed status, and these objects were often prominently showcased in elaborate court entertainments, which were characteristic of the period.
Making Marvels will explore the complex ways in which the wondrous items collected by early modern European princes, and the contexts in which they were displayed, expressed these rulers' ability to govern. Approximately 170 objects—including clocks, automata, furniture, musical instruments, jewelry, paintings, sculptures, print media, and more—from both The Met collection and over fifty lenders worldwide will be featured. Visitors will discover marvelous innovations that engaged and delighted the senses of the past, much like twenty-first-century technology holds our attention today—through suspense, surprise, and dramatic transformations.
On view at The Met Fifth Avenue in Gallery 999
In Pursuit of Fashion: The Sandy Schreier Collection
November 27 to May 17, 2020
The Costume Institute's fall 2019 exhibition will feature promised gifts from Sandy Schreier, a pioneering collector, who over the course of more than half a century assembled one of the finest private fashion collections in the United States. The show will explore how Schreier amassed a trove of twentieth-century French and American couture and ready-to-wear, not as a wardrobe, but in appreciation of this form of creative expression.
Ms. Schreier's interest in fashion began in childhood, when she accompanied her father to work at Russeks, the Detroit branch of the New York speciality store, where she met some of the city's most fashionable women. Seeing Ms. Schreier's enthusiasm for dress, these women began gifting her pieces of their couture, which she preserved rather than wore.
The gift is part of The Met's 2020 Collections Initiative celebrating the Museum's 150th anniversary. In Pursuit of Fashion will feature approximately 80 of the 165 promised gifts, including womenswear, accessories, and fashion illustrations dating from a 1908 pochoir album, Les Robes de Paul Poiret, developed in collaboration with Paul Iribe to a 2004 Phillip Treacy butterfly hat.
The Metropolitan Museum of Art
1000 Fifth Avenue
New York, NY 10028
Phone: 212-535-7710
General Admission:
For visitors from outside New York State:
Adults
$25
Seniors (65 and over)
$17
Students
$12
Members and Patrons
Free
Children (under 12)
Free
For New York State residents as well as New York, New Jersey, and Connecticut students, the amount you pay is up to you.
Hours
Open Seven Days a Week
Sunday – Thursday: 10:00 am – 5:30 pm*
Friday and Saturday: 10:00 am – 9:00 pm*
Closed Thanksgiving Day, December 25, January 1, and the first Monday in May. Friday evenings are made possible by the Ruth Lapham Lloyd Trust. Saturday evenings are made possible by the William H. Kearns Foundation.
*Galleries are cleared fifteen minutes before closing.
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