NYC, Style & a little Cannoli: death becomes her

Friday, November 7, 2014

Death Becomes Her Part 2 Review Metropolitan Museum of Art

We are back at the Death Becomes Her: A Century of Mourning Attire at the Metropolitan Museum of Art. This post will show you some of the lovely accessories in the The Carl and Iris Barrel Apfel Gallery, which is part of the Anna Wintour Costume Center.

This parasol was just so lovely and detailed, dates from between 1895-1900.

These next jewelry pieces are quite fabulous. They showed their loved ones on various types of jewelry to remember them which I think is a very cool idea.

The brooches date between 1850-1858

This was probably my favorite, so gorgeous!

Hats were such a big part of the wardrobe in this time period and mourning attire was no exception.

This is one of the items for sale at the museum from the exhibit

In the spirit of the fashionable nineteenth-century woman, we are pleased to offer a contemporary necklace that gleams with dark allure. This evocative adornment suggests the Victorian passion for jet, a black material derived from fossilized wood. Jet jewelry became wildly popular after Queen Victoria adopted elaborate pieces as part of her mourning dress to honor her late husband, Prince Albert.

Pewter gunmetal plated, with jet glass beads, and a resin cameo. Adjusts from 15''L to 17''L with extender chain.

What a very unique necklace!!

I always love the fabulous fresh flowers when you first enter the Met Museum!

The exhibition Death Becomes Her: A Century of Mourning Attire, on view through February 1, 2015, explores the aesthetic development and cultural implications of mourning fashions of the nineteenth and early twentieth centuries. Approximately thirty ensembles, many of which are being exhibited for the first time, reveal the impact of high-fashion standards on the sartorial dictates of bereavement rituals as they evolved over a century.

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Monday, November 3, 2014

"Death Becomes Her" at the Metropolitan Museum of Art

I had the privilege of attending the press preview at the Metropolitan Museum of Art's 2nd fashion exhibit this year "Death Becomes Her: A Century of Mourning Attire" and it did not disappoint. I can't remember the last exhibit at the Met that I did not enjoy. Let's take a peek, shall we?

This Costume Institute exhibition explores the aesthetic development and cultural implications of mourning fashions of the nineteenth and early twentieth centuries. Approximately thirty ensembles, many of which are being exhibited for the first time, reveal the impact of high-fashion standards on the sartorial dictates of bereavement rituals as they evolved over a century.

The thematic exhibition is organized chronologically and features mourning dress from 1815 to 1915, primarily from The Costume Institute's collection, including mourning gowns worn by Queen Victoria and Queen Alexandra. The calendar of bereavement's evolution and cultural implications is illuminated through women's clothing and accessories, showing the progression of appropriate fabrics from mourning crape to corded silks, and the later introduction of color with shades of gray and mauve.

The Anna Wintour Costume Center's Carl and Iris Barrel Apfel Gallery orients visitors to the exhibition with fashion plates, jewelry, and accessories. The main Lizzie and Jonathan Tisch Gallery illustrates the evolution of mourning wear through high-fashion silhouettes. Examples of restrained simplicity are shown alongside those with ostentatious ornamentation. The predominantly black clothes are set off against a stark white background and amplified with historic photographs and daguerreotypes.

Curator Harold Koda showed a collection of 30 antique bereavement garments, which dated from 1815 to 1915 and show the full spectrum of the mourning process—from beginning (a time when mourners would stick to matte black fabrics) to end (when those who had lost a loved one began to reintroduce color and shine into their wardrobes). The end designs were gorgeous!

I also felt these black designs were very beautiful as well, so much detail to each one.

The exhibit room was very dark, and I was trying different camera settings the whole time. This shot came out rather cool, given the subject of the exhibit. It gave me kind of a ghostly feeling!